e-flux Criticism

@efluxcriticism · joined 30 Apr 2009

Critical writing from the expanded field of contemporary art.

20 257Followers

547Following

6 746Posts total

2.1KViews on collected posts

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e-flux Criticism@efluxcriticism22 Dec 2022

REPORT: In a year marked by the establishment of "new" normals, how have artists and institutions responded? Our contributors pick out some of their favorite shows from 2022. Read here: https://t.co/VOqBKGbXXR https://t.co/wsOpNepD3y

1.3K views · 4 likes · 0 reposts · 0 replies Open on X →

e-flux Criticism@efluxcriticism20 Dec 2022

REVIEW: Beatriz Santiago Muñoz’s dreamlike films forgo straight histories of colonialism, writes Natasha Marie Llorens, in favour of meditations on the experience of loss and the work of repair. @KunstMelly Read here: https://t.co/mjCZiXcuzP https://t.co/thK0JfO3Hh

832 views · 4 likes · 1 reposts · 0 replies Open on X →

e-flux Criticism@efluxcriticism13 Dec 2022

REVIEW: Rirkrit Tirvanija’s Okayama Art Summit, writes Jason Waite, was marked by disparate perspectives on the theme of loss and “an uncanny sense of historical repetition.” Read here: https://t.co/cAuOTzr9U8 https://t.co/EJdKSdVEZC

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e-flux Criticism@efluxcriticism11 Dec 2022

REVIEW: Orit Gat reflects on the intuitive, emotional dimension of looking at art in the presence of Carol Bove's "elusive and multifaceted" sculptures. @oritgat @davidzwirner Read here: https://t.co/IWeR2M8FMj https://t.co/5xKK7UabGK

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e-flux Criticism@efluxcriticism6 Dec 2022

REVIEW: Nikita Kadan’s “Victory over the Sun” revisits the hopes and symbols of the Soviet avant-garde to consider how, in light of the war, it might be possible to construct new visions of the future, writes Xenia Benivolski. Read here: https://t.co/bxRJpleATT https://t.co/Zj9

0 views · 2 likes · 1 reposts · 0 replies Open on X →

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What the audience did with the posts we collected, and where the follower count goes.

What the audience does

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The follower curve appears once this account has two daily snapshots — we take one a day, and this one is on its first.

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