Apiorkor Seyiram Ashong-Abbey ✓
@apiorkor · Ghana/USA · joined 12 Mar 2014
Head, Programmes Prod. @Channel1TVGHA |Poet/Author|#TheMatriarch|#DiplomaticLicense #WhatsCooking| @citi973 | @DemsAbroad|#TED 🇬🇭🇺🇸 RT≠Endorsement
18 989Followers
2 627Following
87 128Posts total
8.8KViews on collected posts
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Got a film project in development? The European Film Festival Ghana presents the EU - Ghana Pitch Café—an intimate, informal space designed for you to pitch your ideas, connect with industry peers, and build valuable networks!
Deadline to Apply: 18th September, 2026
How to https
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This week, we’re saying GOODBYE to carbonated drinks and choosing a fresher, healthier alternative. 🥤❌
So @apiorkor and i swapped the bubbles for a refreshing glass of orange juice! 🍊✨
One week. One challenge. Better choices. 💪🏾❤️
#TheHealthyLivingProject https://t.co/kfxVN1i9
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The Royal Commonwealth Society recently sent me this certificate of appreciation for serving as a judge of The Queen’s Commonwealth Writing Competition 2026. QCWC.pdf
I’m grateful.
But the question I’m carrying away is:
What are we doing with our young people who are good with
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So what happens to that talented 13-year-old is bigger than one child’s career.
It is about culture.
Memory.
Whose version of our lives survives us.
If we fail to cultivate the people who will write us, who will remember us properly?
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Because literature is not decoration.
Writers document us.
They interrogate us. Preserve what official history forgets. Record our humour, contradictions, shame, tenderness and ordinary lives.
Every generation needs people equipped not merely to write —
but to write us.
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Because talent is not infrastructure.
And competitions, valuable as they are, cannot substitute for an ecosystem.
Perhaps we should spend less time talking about “finding the next great Ghanaian writer” and more time building the conditions in which many great Ghanaian writers
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I am increasingly interested in what happens before the applause.
The classrooms.
Libraries.
Reading lists.
Editors.
Critics.
Publishers.
Bookshops.
Residencies.
Festivals.
Commissions.
Universities.
Readers.
Cultural policy.
The ecosystem.
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And perhaps the question that bothers me most:
Who teaches Ghana to value our writers before somebody outside Ghana does?
Why are we so often better at recognising African writers after the international publishing deal, prize, fellowship, university, review or platform has
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How does a gifted 13-year-old Ghanaian writer get to 30 with every opportunity to become an extraordinary novelist, poet, playwright, screenwriter, journalist, critic or thinker?
Who finds them?
Who stretches them?
Who edits them?
Who publishes them?
Who pays them?
Who
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We know that child.
The brilliant compositions.
The essay competitions.
The teacher who says, “This child can really write.”
The certificate.
The applause.
And then?
Where is the machinery between talent and literary life?
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53,840 young people wrote.
53,840 entries to The Queen’s Commonwealth Writing Competition this year.
I had the privilege of serving as one of the judges.
And somewhere in all that reading, I found myself thinking about one question:
What happens to the Ghanaian child who is h
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It’s time to start living a healthy life, ooo!!
#TheHealthyLivingProject #ChangingHabits #TransformingLives #CitiBusinessOlympics26 https://t.co/kUNPcxBcmy
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@apiorkor Mail me a copy would pay for delivery
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I wrote "The Gospel According to Adulting" for those of us navigating the "careful choreography" of life—balancing the hunger of our desires with the discipline of our responsibilities. It is more than a book; it is a survival guide for the "undeniably alive".
If you’ve ever htt
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Dibandingkan akun berukuran sama
14 postingan dari 90 hari terakhir, dibandingkan dengan rentang 10K–100K pengikut. menjangkau lebih sedikit orang, tetapi melibatkan mereka jauh lebih kuat.
Median tayangan207akun ini924median untuk 10K–100K
Jangkauan, %1.09%akun ini3.62%median untuk 10K–100K
Interaksi, %3.18%akun ini1.52%median untuk 10K–100K
| Metrik | Akun ini | Median untuk 10K–100K | Rasio |
|---|---|---|---|
| Median tayangan per postingan | 207 | 924 | 0.22× |
| Jangkauan (tayangan ÷ pengikut) | 1.09% | 3.62% | 0.30× |
| Tingkat interaksi | 3.18% | 1.52% | 2.09× |
Akun lain pada rentang ini → Bandingkan dengan akun lain → Bagaimana tolok ukur ini disusun →
Growth & engagement
How the posts we collected actually performed: views and reaction rate post by post, what the audience did with them, and where the follower count goes.
Views per post
26428 Aug
4.1K1 Sep
321
226
188
176
178
163
228
154
1262 Sep
6159 Sep
148
53710 Sep
Last 14 collected posts, oldest on the left. The scale is logarithmic: one post can outrun the rest a hundred times over.
Engagement rate per post
1.89%28 Aug
3.65%1 Sep
2.18%
3.98%
3.19%
3.41%
5.62%
4.29%
3.07%
4.55%
3.17%2 Sep
0.65%9 Sep
0.68%
0.19%10 Sep
Reactions — likes, reposts, replies and quotes — divided by views. Median for 10K–100K accounts is 1.52%.
What the audience does
Likes66.5%175 in total
Reposts19.4%51 in total
Replies8.7%23 in total
Quotes0.8%2 in total
Bookmarks4.6%12 in total
Share of every reaction we collected for this account. Replies mean argument, reposts mean endorsement, bookmarks mean the post was worth keeping.
The follower curve appears once this account has two daily snapshots — we take one a day, and this one is on its first.
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