Aamir Aziz
@AamirAzizJmi · Mumbai, India · joined 12 Mar 2019
i like to act, I like to write, I like to sing. I'm making a hole in the castle of king.
76 946Followers
236Following
1 019Posts total
2.7MViews on collected posts
Son gönderiler
Yeni gönderiler aranıyor…
Abhi tak nahi suna hai to suniye!
https://t.co/i1ttmpcUGO
5K views · 62 likes
· 25 reposts · 3 replies
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Doston, naya gana Suniye!
https://t.co/x5FYQKgLuX
26.4K views · 145 likes
· 58 reposts · 11 replies
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कुछ देर लगी लेकिन आख़िरकार,
लोकतंत्र ने सीखा शिष्टाचार।
खुलेआम क़त्लों की माफ़ी रहेगी,
अब से होगा पर्दे में अत्याचार।
1.8K views · 24 likes
· 7 reposts · 2 replies
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I’m pleased to share that the Vadehra Art Gallery has amicably resolved my concerns. As far as the Gallery is concerned, I have no claims and appreciate the constructive dialogue that led to this outcome.
8.2K views · 160 likes
· 12 reposts · 4 replies
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@AamirAzizJmi Please contact a sharp lawyer and sue her. She needs to be punished for stealing your work and profiting from it.
42.5K views · 1K likes
· 29 reposts · 2 replies
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And the irony?
The poem raged against injustice.
Anita Dube turned it into a luxury commodity—proof not only that injustice is alive, but that it now wears silk gloves and sells itself as art. That a poem written in defiance was gutted,defanged,and stitched into velvet for profit
123.9K views · 2.9K likes
· 440 reposts · 34 replies
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It’s shameful how far she’s gone—and how far her gallery is willing to go—just to dodge a simple truth: that Anita Dube built her art on a living poet’s words, and they both refuse to acknowledge or compensate him.
123.2K views · 2K likes
· 210 reposts · 3 replies
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What Anita Dube has done isn’t a gesture of solidarity or resistance, it’s the oldest trick in the book, inherited from the same colonial masters: steal the voice,erase the name, and sell the illusion of originality. It is the systematic erasure of authorship in favour of profit
86.4K views · 2.3K likes
· 275 reposts · 4 replies
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I have sent legal notices. Demanded answers. Asked for accountability.
In return: silence, half-truths, and insulting offers.
I asked them to take the work down. They refused. The exhibition at Vadehra Art Gallery is on till the 26th of April.
85.4K views · 2.1K likes
· 198 reposts · 4 replies
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This is outright cultural extraction and plunder—stripping authors of autonomy while profiting off their voices, especially those from marginalised backgrounds. Their work is used without their knowledge, precisely so they can be excluded from the wealth produced through it.
91.1K views · 2K likes
· 196 reposts · 2 replies
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at an enormous price without ever telling me.
This is not solidarity.This is not homage.This is not conceptual borrowing.This is theft.This is erasure.This is entitled section of the art world doing what it does best extracting,consuming, profiting while pretending radical.
95.2K views · 2.8K likes
· 266 reposts · 3 replies
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Let’s be clear: if someone holds my poem in a placard at a protest, a rally, a people’s uprising I stand with them. But this is not that.
This is my poem, written in velvet cloth, another carved in wood, hung inside a commercial white cube space, renamed, rebranded, and resold
100.3K views · 2.8K likes
· 279 reposts · 3 replies
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I discovered she had been using my poem for years including in a 2023 exhibition titled Of Mimicry, Mimesis and Masquerade,curated by Arshiya Lokhandwala and then again displayed in the India art fair '25.She didn’t mention this in our first conversation.She hid it Deliberately
105.3K views · 2.4K likes
· 225 reposts · 1 replies
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When I confronted her, she made it seem normal like lifting a living poet’s work, branding it into her own, and selling it in elite galleries for lakhs of rupees was normal.
But the more I looked, the worse it got.
117.7K views · 2.5K likes
· 240 reposts · 5 replies
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On 18th March 2025, a friend saw my words stitched into a work on display at Vadehra Art Gallery in Delhi and immediately called me. That was the first time I learned Anita Dube had taken my poem and turned it into her “art.”
121K views · 2.5K likes
· 245 reposts · 9 replies
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My name is Aamir Aziz. I am a poet.
My poem Sab Yaad Rakha Jayega has been used without my knowledge, consent, credit, or compensation by the internationally celebrated artist Anita Dube.
1.6M views · 21.8K likes
· 4.9K reposts · 295 replies
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Aynı büyüklükteki hesaplara karşı
Son 90 güne ait 6 gönderi, 10K–100K takipçi aralığıyla yan yana. hem erişimde hem etkileşimde benzerlerinin altında.
Medyan görüntülenme1 336bu hesap1 08410K–100K için medyan
Erişim, %1.74%bu hesap3.91%10K–100K için medyan
Etkileşim, %0.70%bu hesap1.69%10K–100K için medyan
| Ölçüt | Bu hesap | 10K–100K için medyan | Oran |
|---|---|---|---|
| Gönderi başına medyan görüntülenme | 1 336 | 1 084 | 1.23× |
| Erişim (görüntülenme ÷ takipçi) | 1.74% | 3.91% | 0.44× |
| Etkileşim oranı | 0.70% | 1.69% | 0.41× |
Bu aralıktaki diğer hesaplar → Başka bir hesapla karşılaştır → Bu kıyas değerleri nasıl kuruluyor →
Growth & engagement
How the posts we collected actually performed: views and reaction rate post by post, what the audience did with them, and where the follower count goes.
Views per post
95.2K20 Apr
91.1K
85.4K
86.4K
123.2K
123.9K
42.5K
8.2K26 Aug
1.8K18 Jul
26.4K15 Aug
865
172
539
5K25 Aug
Last 14 collected posts, oldest on the left. The scale is logarithmic: one post can outrun the rest a hundred times over.
Engagement rate per post
3.17%20 Apr
2.44%
2.74%
2.96%
1.77%
2.76%
2.52%
2.16%26 Aug
1.83%18 Jul
0.81%15 Aug
0.23%
0.58%
0.00%
1.81%25 Aug
Reactions — likes, reposts, replies and quotes — divided by views. Median for 10K–100K accounts is 1.69%.
What the audience does
Likes83.1%47 522 in total
Reposts13.3%7 578 in total
Replies0.7%385 in total
Bookmarks2.9%1 684 in total
Share of every reaction we collected for this account. Replies mean argument, reposts mean endorsement, bookmarks mean the post was worth keeping.
The follower curve appears once this account has two daily snapshots — we take one a day, and this one is on its first.
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