Bar & Bench - Live Threads
@lawbarandbench · India · joined 27 Aug 2021
Live Threads from Courts, Speech and Law Events. See @barandbench for legal news from all Courts in India
21 689Followers
20Following
43 617Posts total
21.3KViews on collected posts
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Karnataka High Court to hear PIL against State's order permitting only the first 2 stanzas of Vande Mataram.
It is contended that the order contravenes the Prevention of Insults to National Honour (Amendment) Act, 2026.
Bench: Justice Anu Sivaraman and Justice TP Vivekananda h
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Kerala Judicial Academy Director Sujith KN is delivering the vote of thanks. https://t.co/uHINLbQNHB
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Momentos are being presented to CM Satheesan and Justice Mohana. https://t.co/RaXsUJm6At
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Justice Narendran: I am sure that the deliberations over the next two days will contribute valuable insights to the future development of copyright law and policy.
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Justice Narendran: Judges and lawyers alone cannot address these emerging challenges. It requires the participation of musicians, filmmakers, singers, actors, writers, technologists, academicians and the entire creative community itself.
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Justice Narendran: We cannot and should not approach artificial intelligence as a threat or assume that it will not be a permitted development. The challenge before us is how the law can ensure that this progress does not come at the cost of human creativity.
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Justice Narendran: We cannot and should not approach artificial intelligence as a threat or assume that it will not be a permitted development. The challenge before us is how the law can ensure that this progress does not come at the cost of human creativity.
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Justice Narendran: Artificial intelligence can draw upon enormous quantities of human creativity and produce something that is not visualised. This raises unanswered questions about infringement, authorship, ownership and accountability.
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Justice Narendran: The emergence of artificial intelligence has introduced challenges of an entirely new magnitude, raising complex questions concerning the protection, use and ownership of creative work.
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Justice Narendran:Artificial intelligence can now generate music, reproduce voices, create images, assist with screenplay writing, produce visual effects and even create cinematic content.
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Justice Narendran: Just as a musician gives expression and meaning to a raga within its grammatical framework, a judge gives meaning and substance to the law through the process of interpretation.
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Justice Narendran: While interpreting various provisions or sections of a statute, a judge applies different principles and tools of interpretation. Similar statutory provisions have often received different interpretations from different courts.
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Justice Narendran: While ragas draw their structure and discipline from these varied scales, they take on different shapes, expressions, characters and emotions in the hands of different artists. A statute, much like a raga, originates from a particular thought or feeling.
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Justice Narendran: A musician, like a lawyer or a judge, interprets structured notation according to his own emotions and perception.
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Kerala High Court judge Justice Anil K Narendran, begins his address https://t.co/Q3XherSBje
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CJ Sen: The purpose is not merely to speak about art from the standpoint of law, or about law from the standpoint of art, but to allow each discipline to illuminate the other.
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CJ Sen: Copyright law must reward individual creativity, but we should not permit the appropriation of a common cultural inheritance.
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CJ Sen: A legal text presents a similar challenge. The judge is neither a mechanical reproducer of words nor an unfettered creator. Interpretation requires fidelity to the text, but also an understanding of context, structure and purpose.
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CJ Sen: There is a particularly fascinating parallel between interpretation in music and interpretation in law. A musical score does not perform itself. The musician must remain faithful to the composition, but must also bring phrasing, emphasis, dynamism and sensitivity.
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CJ Sen: Music is not merely sound, nor cinema merely moving images. They are forms through which societies remember, celebrate, question and sometimes protest.
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CJ Sen: Law, music and cinema may appear to belong to very different worlds. Law speaks through statutes, precedents and institutions. Music speaks through sound, rhythm and silence. Cinema through image, movement and narrative. Yet all three are connected to human behaviour.
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CJ Sen: In this world of friction and tension, the mind is restless. The tranquillity of the mind can be found in the peaceful enjoyment of music.
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CJ Sen: The generous support and active participation of the constituent institutions, including the Kerala Sangeetha Nataka Akademi, Kerala State Chalachitra Academy and Kerala Kalamandalam, have added immense value and richness to this occasion.
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CJ Sen: The Department of Cultural Affairs has not merely supported this programme, but it has embraced it as its own and has become an integral part of this entire endeavour.
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Kerala High Court Chief Justice Soumen Sen begins his special address https://t.co/pW6xr8zLel
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Justice Mohana: I hope that when we leave from here, we will have understood not only what law can say to music and cinema, but also what music and cinema can teach law.
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Justice Mohana: Let us listen. Let us listen to the artists. Let us listen to the lawyers. Let us listen to the technologists, and let us see what happens when these different ways of looking at the world come together.
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Justice Mohana: These questions cannot be answered by lawyers alone. They require artists, musicians, filmmakers, technologists, historians, academics and, most importantly, they require all of us to talk to one another.
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Justice Mohana: Law is being asked questions that were almost unimaginable even a few years ago. Where does inspiration end and imitation begin? When does technology assist an artist, and when does it replace one? Who owns the creation made with the help of a machine?
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Against accounts of the same size
109 posts from the last 90 days, next to the 10K–100K follower range. reaches fewer people than peers, but engages them much harder.
Median views48this account988median for 10K–100K
Reach, %0.22%this account3.86%median for 10K–100K
Engagement, %2.17%this account1.53%median for 10K–100K
| Metric | This account | Median for 10K–100K | Ratio |
|---|---|---|---|
| Median views per post | 48 | 988 | 0.05× |
| Reach (views ÷ followers) | 0.22% | 3.86% | 0.06× |
| Engagement rate | 2.17% | 1.53% | 1.42× |
Others in this range → Compare with another account → How these benchmarks are built →
Growth & engagement
How the posts we collected actually performed: views and reaction rate post by post, what the audience did with them, and where the follower count goes.
Views per post
3911 Sep
35
39
34
34
38
47
36
34
26
38
85
68
52522 Sep
Last 14 collected posts, oldest on the left. The scale is logarithmic: one post can outrun the rest a hundred times over.
Engagement rate per post
2.56%11 Sep
2.86%
2.56%
2.94%
2.94%
2.63%
2.13%
2.78%
2.94%
3.85%
2.63%
1.18%
0.00%
1.33%22 Sep
Reactions — likes, reposts, replies and quotes — divided by views. Median for 10K–100K accounts is 1.53%.
What the audience does
Likes15.0%6 in total
Reposts7.5%3 in total
Replies75.0%30 in total
Bookmarks2.5%1 in total
Share of every reaction we collected for this account. Replies mean argument, reposts mean endorsement, bookmarks mean the post was worth keeping.
The follower curve appears once this account has two daily snapshots — we take one a day, and this one is on its first.
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